by Midnight Freemasons Contributor
Michael Shirley
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Inlay with addition of "G" |
Joe Hardwick’s inlay test piece made it onto the headstock
in good order, with the square in maple, the compasses in sapele, and the hinge
in walnut. The square and compasses looked perfect, and I figured that the G
wouldn’t be necessary. After all, the English Masonic symbol lacked the G, and
it looked pretty good. But Joe’s a perfectionist, and one evening, after
working in his shop for a couple of hours with a jewelers saw and a piece of
maple, he walked into his living room and handed his wife Lita a perfect,
delicate G. “You did it!” she said. Joe didn’t say much, but he was pleased. So
was I.
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Joe found perfect theme for fretboard |
Our next conversation concerned the fretboard markers, which
are used to indicate which fret is which, and can be more or less decorative
depending on taste. The classic dots didn’t seem appropriate for a
Masonically-themed instrument, and we hate both the plain block and the fancy
curls popular among some players. We talked about offset squares, but Joe wasn’t
satisfied with what seemed to both of us an easy but incomplete out.. A few
days later, he called me and said he’d posted a couple of pictures on Facebook.
I thought he was through surprising me. I was wrong. The markers were triangles
in sapele, but the top one was the all-seeing eye, with the pupil made out of
ebony. I knew he was an artisan. I realized at that moment that he was also an
artist. That knowledge would be confirmed in the days to come.
http://www.clipsyndicate.com/video/play/4956756
W.B. Michael H. Shirley
is Past Master of Tuscola Lodge No. 332 and Leadership Development
Chairman for the Grand Lodge of Illinois. He's also a member of the
Illinois Lodge of Research, the Scottish Rite, the York Rite, Eastern
Star, and the Tall Cedars of Lebanon. He's also a member of the
newly-chartered, Illini High Twelve No. 768 in Urbana-Champaign. The
author of several articles on British history, he teaches at Eastern
Illinois University.
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