Showing posts with label ancient. Show all posts
Showing posts with label ancient. Show all posts

Occult Profiles: Henry C. Clausen

by Midnight Freemason Contributor
Robert H. Johnson



*Editors Note* In this series, I will be profiling some of the names you may or may not have heard of within the Masonic landscape. Some may have been members of 'regular' lodges, some of 'unrecognized' lodges, and some may never have been Freemasons, yet were influential in the Esoteric traditions from which Freemasonry has either borrowed from, or has influenced. I hope you will enjoy!

Henry C. Clausen was born June 30th, 1905 and passed away on December 4th, 1992. In the "real world", Henry was a REALLY BIG DEAL. He was made the Special Investigator for the Secretary of War and was the author of the famed, Clausen Report, which was an 800 page report on the Pearl Harbor attacks. The report set out to answer four questions:
  • What had Pearl Harbor 'known' about Japanese intentions before the attack?
  • What had Pearl Harbor 'done' with this information before the attack?
  • What had Washington 'known' about Japanese intentions before the attack?
  • What had Washington 'done' with this information before the attack?
What he finally came to was that, 
"...being caught unprepared during the Pearl Harbor attack, was due both to having two separate commands at Pearl Harbor (Navy & Army), and to having two separate Intelligence organizations in Washington and elsewhere (Navy and Army)."
 Further, that Clausen "...welcomed the combination of the Navy and Army [security] efforts by Truman (eventually this came to be called NSA)."

Within the Fraternity, Clausen was prolific. His writings spanned volumes. One of his most famed books, and one this author wishes he could get his hands on, Your Amazing Mystic Powers (1985) is said to be among his best works. He was an avowed occultist and made no attempts to hide it either. He became the Sovereign Grand Commander of the Ancient Accepted Scottish Rite in 1970. Henry C. Clausen was also the man responsible for making Manly P. Hall a 33rd Degree Brother. He saw great power and truths contained within Hall's writings, and much like what happened to Paul Foster Case, Clausen did to Hall. He immediately absorbed Hall into the Craft.

This of course gave a sense of further validity for Hall in the Masonic world, it reaffirmed what Clausen had believed of the Craft, but not only for himself, but likely thousands more. Clausen often referenced Hall's works, notably The Secret Teachings of All Ages. Clausen essentially drew a line in the sand. In one of his most famous videos, none other than Ernest Borgnine, introduces Brother Clausen as he explains exactly what the Ancient Accepted Scottish Rite and Freemasonry for that matter, really is.

Henry C. Clausen by Travis Simpkins
Clausen makes the assertion that the Ancient and Accepted Scottish Rite [Southern Jurisdiction] is the modern home of The Mysteries. From Ancient Egypt, to Greece, to Rome, to the Renaissance and Enlightenment, to Kabbalistic Schools and then into Freemasonry. He doesn't assert that this is literal as some do, but rather through the means of war, appropriation and study. I did an episode dedicated to Illustrious Brother Clausen on the 'Whence Came You? Podcast', where I let loose Clausen's entire speech uncut for the listeners pleasure. 

Much controversy surrounded Clausen because of his beliefs and stances he took about the Craft. Rumor has it that all of Clausen's materials, books and videos were swept away, into the archives, basements and even the trash when he died. Whenever I've asked about these claims, I'm met with a change of subject. If anyone cares to refute this, be my guest.

Clausen was in my opinion a legend. He was an icon of Freemasonry. A man dedicated to his country, finding the truth in this realm-- and others. He is for me and countless others, due to his stature and station in the Craft, The Light House at Alexandria. You can find his videos on YouTube by simply searching. Below is the episode I did on Bro. Clausen. The artwork, is by Bro. Travis Simpkins.




Next week, I'll have another Occult Profile for you. Until then, keep your lantern lit.

~RHJ

RWB, Robert Johnson is the Managing Editor of the Midnight Freemasons blog. He is a Freemason out of the 2nd N.E. District of Illinois. He currently serves as the Secretary of Spes Novum Lodge No. 1183. He is a Past Master of Waukegan Lodge 78 and a Past District Deputy Grand Master for the 1st N.E. District of Illinois. Brother Johnson currently produces and hosts weekly Podcasts (internet radio programs) Whence Came You? & Masonic Radio Theatre which focus on topics relating to Freemasonry. He is also a co-host of The Masonic Roundtable, a Masonic talk show. He is a husband and father of four, works full time in the executive medical industry. He is the co-author of "It's Business Time - Adapting a Corporate Path for Freemasonry" and is currently working on a book of Masonic essays and one on Occult Anatomy to be released soon.





The Sad Truth of the Masonic Sword

by Midnight Freemason Guest Contributor
Bro. Guide Sobecki


In a world increasingly touch-screen, virtual, and cloud-based, Freemasonry is a rare chance to go back in time. Dark candlelit rooms, anciently spoken ceremonies, honored traditions...And you get to have a freaking sword. There's no hiding it, everyone gets a bit excited when they first see that there are swords sitting around the lodge for use during meetings and degree work. We all grabbed one and swung it around when no one was looking, don't deny it. Everyone loves taking pictures with their Masonic blades in regalia, they're presented as awards and milestones, and they're typically the first accessory many York Rite Masons buy before any other regalia. Swords are just that cool.

Outside of Masonry, I'm a historical martial artist with a track record in European swordsmanship and its history. Working my way through sport fencing and Filipino martial arts into full-immersion, full-contact longsword fighting has been the most surreal and enjoyable journeys of my life outside the Craft. I get asked pretty regularly by Brothers to answer questions about swords, and rather often I get asked how they tie into Masonic history. It's not the easiest story to tell or hear, but the sad truth of Masonic swords needs to be told.

Within the era of Solomon's temple and its various episodes of existence, the modern person might be quite confused if not disappointed in the role of swords. While Masonic degrees attempt with notable success to replicate the apparel and of course the stonework tools of this era, these sagas predate the invention of iron by a few centuries. Bronze age weapons were limited by metal scarcity, with the average soldier using a wooden shield and spear with a bronze spearhead. Swords were so expensive and difficult to forge that they were more commonly a status symbol. They were barely longer than a forearm, with wider leaf-shaped blades. Specifically in the Middle East, they were sometimes curved like a sickle in order to increase the cutting surface and excelled at horseback use. But by today's standards, museum visitors would appraise these Solomon-era swords as 'a big copper knife.'

Flash forward a quick two millennia to another Masonic-focused era, with chain-mail draped knights fighting the Crusades while the Knights Templar rise as a powerful, enigmatic brotherhood. Iron was now common enough, that warriors while still fought primarily with spear and archers as their ideal battle plan, swords were standard issue as backup weapons. Almost every culture on Earth preferred to fight with spears and projectiles in every instance, with the sword riding along as a back-up weapon much like a modern soldier carries a pistol along with his service rifle. These twisted-iron swords with familiar cross-guard hilts quickly became symbolic of knighthood itself. While these are now 'swords' at first glance, they are quite smaller than the flea market ones your brother-in-law has hanging on his bedroom wall. The ones with the Templar crosses on the pommel. You know the ones.

Within the next few centuries of medieval innovations, this is when things start looking less National Geographic and start looking more Renn Faire. The invention of steel drastically changed the world and allowed for stronger weapons, and more elaborate forging techniques to adapt to combat. Chainmail stayed as a base-layer for battlefield wear, but noble knights were now outfitted with custom-made steel armor which protected their vital organs and limbs against most attacks. As the armor advanced and covered more and more of the body, the one-handed sword of the Templar era was now essentially worthless against an armored knight. This spurred the creation of the four-foot 'longsword' which could be used with two hands and could pierce armor joints. It could be used by knights who did not need a shield for an advantage against common soldiers, for unarmored opponents to try and take down a knight, or for Game of Thrones watch parties.

Even as swords and armor gave way to gunpowder, the longing of nobles and commoners alike to cosplay as a warrior and carry a sword on their belt led to the development of lighter, more portable weapons which were geared for personal defense as well as formal dueling. Modern martial artists call this type of weapon a 'sidesword,' and it was often trained and used in tandem with a buckler (small shield, as in 'swashbuckler'), dagger, cloak, or even a lantern if you were fighting at night. Duelists began noticing that many fights were ended because the hand holding the sword was extremely vulnerable, and began adding steel guards to protect their hand. Gradually, these guards became more elaborate and stylized as fashion accessories. As getting the first blood became more important than portability, these swords became full-sized rapiers which were designed for pure efficiency in formal duels.

Things slowly settled down with bloodlust weeding itself out of everyday society, and rapiers gave way to much shorter, nimble 'small swords'. For those who simply enjoyed the art of dueling without the hassle of life or death, dull versions were used to train safely, and this became modern sport of fencing as you'd see in the Olympics to this day. Their use in real fights was increasingly rare, with only a few publicity stunt cases. To actually know how to use a sword was a social taboo, and only diehard fans kept the arts alive as the world move on. The sword had gone from the sidearm of the medieval knight, to a gilded fashion accessory for a lower-upper class noble wanting to impress his friends at a courtly ball. By the 1700s, the only swordsmen left were the fun-seeking sport fencers, and a few aging nobles who couldn't let go of rapier duels as an underground tradition.

And then...after all that...Came Freemasonry. Going by the academic assumptions that Freemasonry in its current form originated in the late 1600s leading up to the first Grand Lodge forming in 1717, the entire history of Western swordsmanship had already become irrelevant history by the time the first lodges formed. But, per our ancient declarations...Our meetings are guarded by a Brother with a sword. This is one of the few traditions universal to all forms of Masonry, and the sword is almost always specified. This is widely reported as an indicator of how dangerous this task was, as the Tyler faced impostors and attackers with sword in hand...Even though flintlock pistols were now as common as Apple Watches and waving an antique weapon no one knew how to hold correctly may not be the best use of time and resources.

In reality, Masonry has forgotten the use of the sword...Symbolically. It is just a symbol, it has always been a symbol, and at no point in our history has it ever referred to a functional, flesh-cutting sword to be wielded by the Brother in a polo shirt texting his wife in the chair outside your lodge room. The earliest traces of Tyler's swords in England all feature decorative, flame-shaped blades that make them stand out as display pieces. No, these are not the famous flame-bladed German swords you saw in a meme on Facebook. These are decorative, pot-metal props designed to look like a flaming sword which appears in many faiths and sagas as a symbol of holy protection and faithful duty. In fact, early accounts report that Tylers were sometimes adorned in full costume which built upon the theme of the sword with bold red fabric and sun-styled embroidering.

As Masonry grew and traveled, it simply appears that this old tradition gave way to pragmatic resources. While flame-shaped swords are still found in England, many American lodges possess historic cavalry sabers tied to Brothers who served in various colonial wars. When you're a European colonist living out of a trunk you sailed an ocean with, improvisations had to happen and Masonic regalia became more regionally sourced. Most of these sabers that I've handled and traced are specifically built for horseback use, and are too long and heavy for functional fencing without notable difficulty. Your lodge may have an amazing history and a priceless treasure of a sword, but about those Past Master stories where it was used to fight off an angry mob...

Now, this is where you start to hate me. It's time to talk about your grandfather's Knights Templar sword. The one that your aunt gave you when you first joined your lodge.

Whether it's an antique, a newly purchased one from a supplier, or one of the rusted ones in the umbrella bucket in your lodge store room, they all share a unique design that Masons across the world recognize instantly as their own. They feature a carved knight's head pommel, the engraving and file-work of the handle with an ebony grip, iconic cross-guards, and the hand-etching of the blade with gorgeous designs and symbols from the Templar degree. One of my most prized possessions is one of these swords, dated to 1910 and belonging to a notable business owner in my lodge's community. These beautiful swords are still valuable as a piece of our culture and imagery...But historically and factually, these swords may have been designed and invented by some one who specialized in dining table cutlery.

The American Civil War in the 1860s is known for many technology and tactical innovations in warfare, but economically its greatest impact was the first use of mass-produced military uniforms. Unfortunately for the textile industry, they miscalculated how long the war would last and were left an insanely large overstock of military uniform components. In the greatest act of fast-talking salesmanship since a con man sold a small town band instruments and uniforms in 'The Music Man', these manufacturers approached the various fraternal societies of America and offered them a discount on these fine uniforms to start their own official drill teams for parades and regional events. As military drill was still enjoyed as a hobby for recent veterans of the era, many fraternal orders including Masonic appendent bodies, Oddfellows, and Knights of Pythias all bought in. Someone must have also gotten a shipload of ostrich feathers by mistake at some point, because they also marketed the feather chapeau as the ideal headgear for marching in a parade in the middle of summer in a black wool uniform.

And while you're buying our jacket, shirt, boots, pants, belt, and ostrich hat bundle...Why not throw in a sword? To cater to the medieval themes of these various fraternities, these 'fraternal swords' as they're called in the antiques business were made in bulk to sell as uniform accessories and as an excuse for these drill teams to implement modified cavalry saber drills into their routines. Fraternal swords were never designed to be sharpened, and were even smaller than even the decorative smallsword nobles carried. Instead of a protective hand basket, they feature a cross-hilt as you would find on a full-sized knightly longsword. Realistically, whoever designed these had never seen or held a European sword in their life and worked off paintings and drawings for inspiration. Eventually, you start seeing handmade, much better crafted versions for individuals who took particular pride in their organization and began using them to signify rank or achievement. Is it a sword? No. Is it a beautiful heirloom you should be proud of? Absolutely.

So, here we are in late 2019 in the digital age with swords, armor, and Blu-ray discs long abandoned to archaeologists. But Masonry maintains a link to ancient history that no other organization offers, including the mythos of a man with a sword guarding the door so the brotherhood can be left undisturbed and protected. We proudly wear them in various degrees, drill with them for ritual, they're featured in our symbolic lectures and imagery, and it gives us a break from modern life to feel like an ancient warrior for just a quick second. We need to keep including swords and their history within our practices, even if the actual history is more well-meaning than well-researched.

What sword is truly the best for you, your lodge, or your organization as a whole? That's up to you or your members. Take pride and consideration in the decision, it's yours to make and should be enjoyed. If you're seeking a period-accurate Solomon-era piece, consider finding a gladius prop for a general lookalike, or having a replica crafted or 3D-printed. Are you a proud member of a Knightly order? Consider an 'arming sword' replica and a scabbard if want to try upgrading your next Commandery meeting. Tastefully plain-steel longsword replicas are impressive for officer processionals, installations, and special occasions. Particularly historical lodges with interests in early United States history may find a cavalry saber replica from a reenactment supplier to be a fine addition to their foyer.

~GS

Brother Guide Sobecki of Geneva Lodge No.139 is the Junior Warden of Gourgas Chapter of Rose Croix, Valley of Chicago Scottish Rite as well as Deputy Governor of Illinois York Rite College No. 15. He works as a public relations specialist and ghostwriter for the national association of neurosurgeons. He holds the rank of Scholar at Arms in the art of medieval longsword fighting. He can be reached at guidesobecki@gmail.com .

The Painting

by Midnight Freemason Contributor
Steven L. Harrison, 33°, FMLR




The Manitoba Legislative Building, located in downtown Winnipeg, is a cornucopia of symbolism. The building was completed in 1920. It's architect was Frank Worthington Simon. There is some evidence Simon may have been a Freemason, but nothing definitive. Nonetheless, he filled the edifice with enough esoteric elements – Masonic and otherwise – to make it an interesting and fun place to visit.

Manitoba's famous "Golden Boy," a statue of the Greek god Hermes, sits atop the dome of the 242 foot structure overlooking the city. Around the perimeter visitors can find statuary representing a number of other gods and goddesses including Ishtar, Europa, and Neptune. Two stately sphinxes lie in repose facing opposite directions to symbolically guard the entrance from above.

Inside, visitors find the immense grand hall measuring 66.6 feet on each side, an allusion to the number of the beast. There one also finds Medusa and Athena overlooking the grand staircase consisting of three flights of thirteen steps. In addition to the myriad of other symbolic statues, structures, and icons housed there, the building even has a room representing the Sanctum Sanctorum of King Solomon's Temple. It is the Lieutenant Governor's Reception Room and, like the Holy of Holies, entry is allowed only once a year.

At the top of the grand staircase sits an archway crowned by a Frank Brangwyn mural. Brangwyn was a Welsh artist who, like Simon, may have had Masonic ties. At first glance the painting is a World War I scene with what appears to be a wounded man in tattered clothes being helped along by comrades. A long object, perhaps a cannon, trails the group, as they appear to be making their way through a crowd. In this configuration the painting is said to represent Canada's contribution to World War I.

A second glance at the painting reveals a faint depiction of the Madonna and Child above the head of the wounded soldier. The right shoulder of the man standing next to him seems to form a halo over the wounded man and the viewer might imagine the long trailing object to represent the cross as the painting almost transforms itself into a depiction of Christ bearing his cross to Calvary.

A closer look at the central figure reveals him wearing a white shirt opened to reveal his naked right chest, leading some to compare the scene to a Masonic initiation. Most Brothers can immediately pick up on a flaw in that analogy. However, ignoring that discrepancy it may be interesting to compare the man's garb to that worn in initiations and speculate on the artist's intent to have his subject dressed as the proverbial poor blind candidate.

Whatever you personally might see in the painting, it is always prudent to remember symbolism, like beauty, is in the eye of the beholder. 

~SLH

Bro. Steve Harrison, 33° , is Past Master of Liberty Lodge #31, Liberty, Missouri. He is also a Fellow and Past Master of the Missouri Lodge of Research. Among his other Masonic memberships are the St. Joseph Missouri Valley of the Scottish Rite, Liberty York Rite bodies, and Moila Shrine. He is also a member and Past Dean of the DeMolay Legion of Honor. Brother Harrison is a regular contributor to the Midnight Freemasons blog as well as several other Masonic publications. Brother Steve was Editor of the Missouri Freemason magazine for a decade and is a regular contributor to the Whence Came You podcast. Born in Indiana, he has a Master's Degree from Indiana University and is retired from a 35 year career in information technology. Steve and his wife Carolyn reside in northwest Missouri. He is the author of dozens of magazine articles and three books: Freemasonry Crosses the Mississippi, Freemasons — Tales From the Craft and Freemasons at Oak Island.

The Curious Case of Bro. Edgar Mitchell

by Midnight Freemason Contributor
Robert H. Johnson


In my travels, I meet some amazing Brothers. Men with insane, almost unbelievable stories...except they are real. Recently this was the case when I spent the weekend with a Brother who was great friends with Brother Edgar Mitchel. For those who do not know, Bro. Mitchell was an Apollo Astronaut. His Wiki summary is worth posting below:
Edgar Dean "Ed" Mitchell (September 17, 1930 – February 4, 2016) was a United States Navy officer and aviator, test pilot, aeronautical engineer, ufologist and NASA astronaut. As the Lunar Module Pilot of Apollo 14, he spent nine hours working on the lunar surface in the Fra Mauro Highlands region, making him the sixth person to walk on the Moon. The legacy of his post-NASA scientific work is carried on through the Institute of Noetic Sciences.
It's always a curious thing for me when I see someone of such stature, someone who is an authority, take an active interest in things most people think are a little "out there". What defines, "out there"? Well, for most it's things like, ghosts, UFOs, Metaphysics, and more. A curious position for sure when we consider what is "normal" in religious beliefs the world over...I digress.

I suppose, I am an "out there" kind of person. When I was conversing with my friend over the weekend he regaled me of the tales and stories that Edgar Mitchell had confided in him--that Mitchell had had an out of body experience while riding back to Earth and his visions of the Sacred Samahdi.

It sent my mind reeling with questions, questions I did have answered, but will remain with me due to the sensitive nature of them. What I wanted to drive home with this post was the curious nature of those men who are on top of the world, both literally and figuratively and who believe in things in a different way.

James Irwin was another Apollo Astronaut who had a curious fascination. He was aboard Apollo 15, and his life's work after returning home was to prove and find the literal Noah's Ark. He climbed Mount Ararat several times, and almost died. You can read an article on this HERE.

There are many cases of Astronauts believing in and taking positions which make many do a double take. 

Edgar Mitchell was a bit more scientific in his endeavors. You may have noticed at the end of the Wiki summary, Brother Edgar formed the Institute of Noetic Sciences. If that sounds familiar, you've likely read the book, The Lost Symbol by Dan Brown. 

The word "Noetic" refers to the, "...theory in philosophy, as branch of metaphysical philosophy concerned with the study of mind as well as intellect. There is also a reference to the science of noetics, which covers the field of thinking and knowing, thought and knowledge, as well as mental operations, processes, states, and products through the data of the written word."

I don't know about you, but this sounds an awful lot like the Masonic practices...divesting our hearts and minds...Doing actual internal work on our characters and egos etc. Pretty curious indeed...

The actual Institutes description, which deals with a little more than just the basic description of what "Noetics" is, is as follows:

The Institute of Noetic Sciences (IONS) is an American non-profit parapsychological[1] research institute. It was co-founded in 1973 by former astronaut Edgar Mitchell, along with investor Paul N. Temple, and others interested in purported paranormal phenomena,[1] in order to encourage and conduct research on noetic theory and human potentials. 
The Institute conducts research on topics such as spontaneous remission, meditation, consciousness, alternative healing practices, consciousness-based healthcare, spirituality, human potential, psychic abilities, psychokinesis and survival of consciousness after bodily death. The Institute maintains a free database, available on the Internet, with citations to more than 6,500 articles about whether physical and mental health benefits might be connected to meditation and yoga. 
Headquartered outside Petaluma, California, the IONS is situated on a 200-acre (81 ha) campus that includes offices, a research laboratory and a retreat center (originally the campus of World College West). Its current director is Cassandra Vieten. Other researchers associated with it include Dean Radin and Rupert Sheldrake.
I find these things fascinating because I believe in the inseparable union of Science and Religion or Spirituality. I find them to be interdependent on each other. It's the main area of my personal studies. To know that men like Bro. Mitchel had invested the time and money into studying these things sure is a bit reassuring, not that I need it, but it's a small comfort.

Bro, Mitchell died in 2016 and you can read a bit more about him in THIS LINK which is a piece Illustrious Bro. Hodapp penned when that occurred.

~RHJ

RWB, Robert Johnson is the Managing Editor of the Midnight Freemasons blog. He is a Freemason out of the 1st N.E. District of Illinois. He currently serves as the Secretary of Spes Novum Lodge No. 1183 UD. He is a Past Master of Waukegan Lodge 78 and a Past District Deputy Grand Master for the 1st N.E. District of Illinois. Brother Johnson currently produces and hosts weekly Podcasts (internet radio programs) Whence Came You? & Masonic Radio Theatrewhich focus on topics relating to Freemasonry. He is also a co-host of The Masonic Roundtable, a Masonic talk show. He is a husband and father of four, works full time in the executive medical industry. He is the co-author of "It's Business Time - Adapting a Corporate Path for Freemasonry" and is currently working on a book of Masonic essays and one on Occult Anatomy to be released soon.

Masonry & The Martial Arts



by Midnight Freemason Guest Contributor

Brother David Pugh


Freemasonry and traditional Martial Arts are two of my passions and favorite subjects to practice and study. On the surface they may appear to be completely different. Freemasonry is a beautiful system of morality veiled in allegory and illustrated by symbols, while the martial arts are a system of deadly self-defense techniques.  However, it is this author’s position that they are very similar in structure, philosophy, and goals for their students. The aim of this humble paper is to present their benefits and similarities to my fellow Freemasons, with the hope of inspiring new and continued interest, study, and participation in both disciplines. Please note that for the scope of this work when the term Martial Arts is used, it is referring to traditional martial art styles like Taekwondo,Shotokan Karate, or Wing Chun Kung Fu.

Let us first examine the structure of both entities. Historically both Freemasonry and the martial arts required a screening process before letting people join their ranks and obtain their “secrets”. General Hong Hi Choi the founder of Taekwondo states “A close scrutiny is made on the mental make up as well as the background of any applicant prior to his or her admission to the gymnasium. While Freemasonry still has this practice, most modern martial arts schools especially in America will allow anyone with the financial means to join their “Dojo” and start training. Historically however, this was not the case as the martial arts were passed down within a specific family line or clan and if someone outside of that group wanted to learn they had to be “vouched for”.  

Both of these systems were also practiced in secret. "Training in karate was always conducted with the utmost secrecy in Okinawa, with no one teaching or training openly in the arts as done today. The reason for this secrecy was a matter of life and death for both the Freemason and the Martial Artist. During the time of operative masonry, the knowledge the Freemasons possessed was their trade and subsequently, how they fed their families. If cowans and eavesdroppers were allowed to gain their secret information, they could take work away from those who were duly and truly prepared. In a very real way this was a matter of life and death for the Mason and his family. In the same way, if the martial artist’s techniques or “secrets” were revealed to a hostile person, tribe, or village, they could use that information to defeat them in combat and once again, meeting the Angel of Death becomes a real possibility.

Both disciplines have a Master and Grand Master that sets the adherents to work and gives them good and wholesome instruction for their labors. They both are a progressive science with grades or degrees and in order for a student to advance they must show suitable proficiency in the proceeding level’s material. In addition part of that material involves memorizing  physical movements in a certain order which Freemasonry calls due guards & signs, and the Martial Arts call forms, kata, or poomse.

Finally  both present their information in a exoteric and esoteric format. For example the public can see a martial artist demonstrating a form or kata that may have movements that look like dancing (exoteric) but they are really deadly fighting techniques (esoteric). The true meaning is only taught to the initiated which is the esoteric knowledge. As a martial arts instructor I still teach by this traditional formula.

Freemasonry aims  to make good men better, and it’s design is to make its votaries wiser, better, and consequently happier! Our ritual teaches us that Masonry is concerned with developing the internal qualities of Man. The martial arts also have the same goal as stated in the following quote from Master Gichin Funakoshi, the founder of Shotokan Karate and often referred to as the father of modern Karate.

“Those who follow Karate-do will develop courage and fortitude. These qualities do not have to do with strong actions or with the development of strong techniques as such. Emphasis is placed on the development of the mind rather than on techniques. In a time of grave public crisis , one must have the courage, if required for the sake of justice, to face a million and one opponents.”

In addition Taekwondo has the five tenets of Courtesy, Integrity, Perseverance, Self Control, and Indomitable Spirit, which each student is charged to inculcate.  These are very similar to the four cardinal virtues of Freemasonry which are  Temperance, Fortitude, Prudence, and Justice. They do not correlate directly but there is significant overlap. For example Integrity relates to Justice, as Perseverance & Indomitable Spirit correspond with Fortitude, and Self Control with Temperance. In addition to internal development, improving one’s community is also something that both systems encourage.

As Masons we learn the following from the Volume of Sacred Law, And now abideth faith,hope, and charity,these three: but the greatest of these is charity. Grand Master Hong Hi Choi in his Taekwondo Master text stated the following regarding community service: “...by rendering their labour to the public work and to the poor villages during their leisure hours so that they may teach themselves the spirit of the public service and mutual help. Both Masons and Martial Artists as they labor to subdue their passions and improve themselves in either respective systems, should also help to  transform and build their communities. For those of us who labor in both quarries we have a double responsibility to extend our cable tow in service to others. The best example of this and the harmony between  Masonry and the Martial Arts is Shotokan Karate Lodge 9752 UGLE.
In conclusion, both Masonry and the Martial Arts are progressive sciences with similar structure and goals to develop the moral character of their votaries. As the student cultivates the internal attributes of brotherly love, relief, courtesy, integrity, perseverance, justice etc., it is hoped that these will be extended to his fellow man and the community at large. It is my hope that after reading this brief comparison, my Brothers who are not martial artist may consider taking that first step and begin training in a style of their choice. For my Brothers, who travel on both paths, may this discussion increase your interest, focus, and passion to study and train harder-- to become the best Mason and Martial Artist that you can be!

References: 
Choi,Hong HI(1965) Taekwondo The Art Of Self Defence,Los Angeles California: Masters Publication
Gichin Funakoshi(1973) Karate-Do Kyohan The Master Text, New York New York: Kodansha America
Tedeschi,Marc(2003) Taekwondo The Essential Introduction, Trumbull, CT: Weatherhill Inc
Holy Bible 1st Corinthians 13:13 KJV

Yours in Brotherly Love, Relief, and Truth

Brother David Pugh SW
Plumbline Lodge#116
Subordinate to the
Most Worshipful Prince Hall Grand Lodge of Illinois and Its Jurisdiction

Master Instructor
Warriors Martial Arts
5th Degree Black Belt- Taekwondo (WTF)
Black Sash- Ip Man Wing Chun( under Master Sam Chan)
Certified Instructor- Jeet Kun Do Concepts (Harris International JKD Federation)  


Brother David Pugh serves as the Senior Warden of Plumbine Lodge No. 116 in Chicago,IL subordinate to the Most Worshipful Prince Hall Grand Lodge of Illinois. He is also a member of Eureka Chapter #3, Holy Royal Arch Masons, a subordinate Chapter of the Most Excellent Prince Hall Grand Chapter, Holy Royal Arch Masons. In addition Brother Pugh is a member of the Phylaxis Society and currently serves as the appointed Director of the Commission on Bogus Masonic Practices. He can be contacted at warriorstkd@gmail.com



Memento Mori

by Midnight Freemason Contributor
Erik Antony Marks 


The Library was not the place I expected to be reminded of the certainty of my death. Yet, greeting me as I entered this wondrous place was an 8.5” x 11” notice for a public conversation about death. At the top of the page were the Skull and Crossbones with the phrase surrounding them. And why not? Stacks and stacks of truths, what a great place to discuss our musings about one of the book-ends of our existence. The Latin Phrase is a helpful refrain if we contemplate it regularly: Remember you are going to die so that you may choose to be fully present and live consciously while alive—take stock, and make the most, of life.

In Tibetan Buddhism, training in the four preliminaries are the basis for all that follows in working with the mind:

1. Remember your precious human life and the good fortune of your human birth which provides ability to come in contact with and take in truth
2. The reality of the certainty of death that can come at any moment
3. Being stuck in Karma: that no matter what you do, good or ill, furthers your entrapment in the cycle
4. The inevitability and severity of suffering for all sentient beings.
When I think of Memento Mori, I am drawn back to these preliminaries. The following day another Memento Mori message arrived again, prompting me to write this. I met with a man who recently lost a dear family member to protracted illness. He said, “Is it strange to say I feel like thought of his death is a gift? I’m sad he’s gone. I feel like the hurt reminds me to live my life.” It made me think of a colleague and former group consultant who said “loss is the gift that keeps on giving.” The words stung at first. It seemed antithetical in that moment to place the two ideas of “loss” and “gift” together. As the concept worked in me over time, I began to realize how much of my adaptations to life were from finding the “silver linings” in the losses I had accumulated. This message is clearly present in every step of our Masonic journey: In the regularity of day and night. In the stages of life and degrees, especially the Third. For me, the message echoes through our mythos and allegories to break off the superfluous in our day to day and bring into brilliant relief that which is most important to each of us.

Hasten not the day of your demise
Nor shun it like an evil specter.
Honor its effort to ring in the reality
That your life’s abode is this moment:
Memento Mori.

~EAM

Brother Erik Marks is a clinical social worker whose usual vocation has been in the field of human services in a wide range of settings since 1990. He was raised in 2017 by his biologically younger Brother and then Worshipful Master in Alpha Lodge in Framingham, MA. You may contact brother Marks by email: erik@StrongGrip.org

NASA - Giordano Bruno and Other Worlds

by Midnight Freemason Contributor
Bro. Travis Simpkins 


The best parts of being a freelancer are the frequent surprises that come along with it. When you open yourself up and are willing to work with anyone, you never know who will reach out to you next.

One morning a couple months back, I woke up and checked my email like I always do. Mixed in with the usual communications was a rather peculiar one. The message was from NASA, and the writer was looking for permission to use my artwork depicting the 16th Century Hermetic philosopher/astronomer Giordano Bruno in an upcoming presentation in Sorrento, Italy. The artwork was to be projected on screen during a lecture by Colonel Roger Hunter, program manager of the Kepler Mission, and this particular section of the presentation would focus on Bruno's theories regarding “other worlds.” After restraining my excitement and quickly verifying the information, I very happily agreed to the request.

It was obvious why NASA is interested in Giordano Bruno (1548-1600). He was an ex-friar turned natural philosopher, whose Hermetic teachings put him at odds with the dominant ideological visions of the Church. Condemned by the Inquisition as a heretic, Bruno was burned at the stake in Rome's Campo di'Fiori on February 17, 1600. Among the many theories introduced by Bruno, one of his most profound was the idea that the universe is infinite and the stars we see in the night sky are actually suns being orbited by other planets that have life on them.

It was also obvious how Colonel Roger Hunter and the Kepler Mission are inspired by Giordano Bruno's work. According to the official statement on NASA's website: “The Kepler Mission, NASA Discovery Mission #10, is specifically designed to survey our region of the Milky Way galaxy to discover hundreds of Earth-size and smaller planets in or near the habitable zone and determine the fraction of the hundreds of billions of stars in our galaxy that might have such planets.”

Less obvious, to me anyway, was just how strong the Masonic connection was to all of this. I knew of astronomical references in the lectures and of Bruno's influence on memorization, relevant to our ritual studies, through his well known work on “The Art of Memory” which utilized the many mnemonic devices we all use (whether we credit Bruno for it or not). However, I didn't fully see another much deeper and direct Masonic connection until I shared the news of this project on my Facebook page. Soon after posting the update, Shawn Eyer commented asking if I had seen the old Fellow Craft lectures that related to Bruno's theory. I replied in the negative and he sent me a fantastic article he had written titled “Numberless Worlds, Infinite Beings” that had originally been published in Philalethes (Vol. 65, No. 3) back in 2012. Among the mosaic of valuable insights contained within the essay was an eloquent quote, once included in the Fellow Craft Degree, that directly corresponded to the subject. I found myself reflecting on it's meaning and implications for much of that day. The words were taken from William Preston's 1780 Lecture of the Second Degree: “Here we perceive thousands and thousands of suns, multiplied without end, all arranged around us, at immense distances from each other, attended by ten thousand times ten thousand worlds, all in rapid motion; yet calm, regular, and harmonious; invariably keeping their prescribed paths, and all peopled with a myriad of intelligent beings, formed for endless progress, in perfection and happiness.”

Ask a number of supposedly learned people about Giordano Bruno and at least half of them will reply, “Who?” Never elevated to his proper status among the historical luminaries that comprise the world's greatest thinkers, Bruno is under-appreciated and yet his enduring influence is still ever-present in the shadows. On the landing of the main staircase in the House of the Temple, chiseled into the wall, is a quote attributed to Albert Pike that reads, “What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal.” While meaningful in their own right, Pike's words echo a sentiment written 300 years prior by Giordano Bruno: “What you receive from others is a testimony to their virtue; but all that you do for others is the sign and clear indication of your own.” (On the Infinite Universe and Worlds, 1584)

~TS

Travis Simpkins is a freelance artist with clients throughout the United States and Europe. He currently works on projects for the Supreme Council, 33°, NMJ in Lexington, Massachusetts. He also serves as a portrait artist for the Grand Lodge of Massachusetts, Grand Lodge of New Jersey and other jurisdictions across North America. His artwork is in many esteemed collections, including the Harry S. Truman Presidential Library & Museum in Independence, Missouri.

Bro. Simpkins is a member of Morning Star Lodge A.F. & A.M. in Worcester, Massachusetts. He is a 32° Mason in the Ancient Accepted Scottish Rite- Valleys of Worcester and Boston. He is also a member of Eureka Royal Arch Chapter, Hiram Council of Royal & Select Master Masons and Worcester County Commandery No. 5, Knights Templar.